All four pads on a PM-2. Haven't done any listening yet.
I didn't have any issues with the treble, at least not with the Alternate PM-1 pads.
Pretty good review Hans, most of the points are quite correct. One thing that stood out for me was your saying that treble spike is in level with overall FR while according to my measurements it is at least 3db higher and therefore combined with a dip right before it they do sound edgy, raspy, rough, whatever you prefer but I call it dirty treble. The immediate roll off after that spike only adds up to the feeling of treble sounding inadequately cheap. All of that was kind of veiled in PM-1 but PM-2 tuning just made it more apparent. As for their bass quality and extension I agree, balls need to grow and to me they are light footed by quite a bit and distortion spike does play a role there. As for rushing PM-2 production, I feel with the sound they did all they could, meaning time just wasn't that much of a factor as they had more then half a year to tune. It took you what, couple of days of listening to come up with some mods and I can only imagine what you could do in a half a year using all of their test gear. Overall in my opinion both PM-1 and PM-2 have different sets of flaws that keep them from playing in the first league and that's a shame because I know, they could.
His impressions sound like the original PM2 pads we heard at the Bay area meet. Annoying treble with disjointed overall signature.