@anedote Placebo and "Expectation bias" are the same exact thing...
Quote from: wiinippongamer on September 10, 2012, 05:26:46 AM@anedote Placebo and "Expectation bias" are the same exact thing...No, it's just that few recognize the importance of the distinction and this distinction is usually glossed over for convenience. "Placebo" and "nocebo" are categories of anomalous results in the testing of medical treatments which aren't limited to psychological attitudes as befitting of their common usage in audiophile debates, they may result in physiological changes, real cures. The reasons behind placebo effects are irreducible to expectation bias alone. Some such results can even be the complete opposite of what is predicted by expectation bias (in nocebo). Moreover studies which take lengths to eliminate expectation bias by informing a test group that they are receiving a sham treatment still produce placebo effects.Suffice to say that although there's plenty of evidence that expectation plays a large role in the placebo effect in medicine, we're talking about judging audio products, and it's insulting to trot out the same mysterious mechanism used to describe a cancer remission after the administration of a sugar pill as a synonym for expectation bias because of exposure to advertisements for a brand of cables.
Quote from: DaveBSC on September 10, 2012, 03:50:31 AMTube amps and particularly SETs distort, and they distort differently than SS amps do. A very neutral sounding SS amp should be easy to tell apart from a very "tubey" SET. You can engineer a SS Class A amp to sound very tube like by purposefully not chasing the hyper low distortion of the conventional A/B amp. I'm of the opinion that chasing more zeros in your distortion figures actually leads to a worse sounding amp, or at least a more clinical one. That has been my experience as well. Anax and I tried various combinations resistors and levels capacitance for the feedback circuit of the S7 last week for almost an entire day. Our preferred setups were actually those which really straddled the line with linearity and extension. (Less feedback to a certain point sounded better.) Our experiences mirrored those of those Nelson Pass tales.
Tube amps and particularly SETs distort, and they distort differently than SS amps do. A very neutral sounding SS amp should be easy to tell apart from a very "tubey" SET. You can engineer a SS Class A amp to sound very tube like by purposefully not chasing the hyper low distortion of the conventional A/B amp. I'm of the opinion that chasing more zeros in your distortion figures actually leads to a worse sounding amp, or at least a more clinical one.
I don't think learning to ignore these factors is impossible. I've had countless situations where I've thought "I just don't hear any difference" or "this sounds different but I don't think it's better" or just "this is crap". Sometimes it's very close one way or the other, and in those situations blind testing can be useful but I wouldn't say it's necessary in all cases. The only way I feel blind testing is useful though is when the method is exactly the same as what one uses for sighted tests - same songs, same listening time, same system etc. I think blind testing of large groups in unfamiliar locations with unfamiliar systems with unfamiliar songs played at pre-determined durations is utterly useless. That might be good enough to tell a Maggie apart from a B&W, but for two largely similar DACs? Forget it, you'll get 50/50.
Just because I disagree with someone on a few issues doesn't mean I can't agree with them or respect them for their work in other areas. I mean, I think purrin is dead wrong in a lot of the stuff he says about amps and DACs but I think his CSD plots are an amazing advance in headphone measurements. A few other people do them with headphones but for the most part their techniques are flawed and the results are too inconsistent to be very useful.
LOL. So funny to read this here. I posted almost the same thing a few days ago on Headfi saying I preferred the sound of amps without huge amounts of negative feedback and got called out on it by a by the book measurements guy Someone posted this on another forum, but I think Charles Hansen (and Nelson Pass) do it just right. Charles does no NFB amps, with very little local NFB that sound great and measure good. My educated guess is the slightly higher output Z on the MX-R monos I like gives it a touch less of that stereotypical clinical SS sound.
Ultimately these questions delve into more metaphysical ones.