Still waiting on a response to my last question. Can anyone familiar with these amps (MJ/S7/BHA-1) provide some insight?
purrin?
Anax?
Anyone?
Crickets.............tumbleweed........
Tonal Balance:Old S7: Slightly bassy and thickest of the bunch.
New S7: Cleaner, more liquid, and faster than old S7.
BHA-1: Slight warmth in the bass with good mid-high treble edge and definition, but not in bad way.
Mjolnir: Probably more neutral than any of the above. A little bit forward relatively. Sharper in the lower treble, but not in a bad way. Yet also strangely laid back (contradictory and hard to explain.)
Microdynamics and microdetail: S7 wins by a mile. Well recorded is classical chamber or solo reveals this. S7 speed is faster. Attack of strings, etc. is more precise with more speed.
Mjolnir is better at microdynamic rendering than BHA-1.
BHA-1 and Mjolnir micro-detail is equal with a capable source running SE.
BHA-1 Mjolnir pulls away in microdetail with a capable source running balanced.
S7 is the least flat sounding with the best microdynamics, followed by Mjolnir.
Macro-dynamics, bass, control:BHA-1 has a tad more mid-bass presence.
Mjolnir has more explosiveness and slam in bass than BHA-1. About equal or possibly superior to the S7. Control exceeds the S7 a bit, especially in the lowest bass. New S7 may be closer.
Other notes:BHA-1 (operating incorrectly): Slightly ill-defined and imprecise throughout the audio band. Bass, mids, treble. You name it.
Mjolnir: I don't believe in burn-in, but leave it on for 120 hours before use.
S7: Impressions of the S7 may be all over the place, b/c Anax's S7 is specially modded.
BHA-1: has better stage depth than Mjolnir and possibly S7.
Tonally, I prefer the BHA-1 with the HD800. Mjolnir is less flat sounding akin to tubes (closest to tubes for any SS I've heard.) I don't have HD800s anymore (or if I did, I would mod them and try out non Senn cables), so problem solved. Generally, the tonal balance thing I don't care that much about because there are usually methods to get around them, i.e. mods, EQ, cables, source. In other words, tone is correctable. Treble edge to a degree is also correctable. Flat microdynamics or lack of plankton retrieval is not correctable.
Most people go the other way. Find a good tonal match. A lot will depend upon recordings and source.