CHANGSTAR: Audiophile Headphone Reviews and Early 90s Style BBS

  • December 31, 2015, 11:09:06 AM
  • Welcome, Guest
Please login or register.

Login with username, password and session length
Advanced search  
Pages: 1 [2] 3 4 5 6

Author Topic: Classic Tube Amp Sound  (Read 7675 times)

0 Members and 1 Guest are viewing this topic.

Marvey

  • The Man For His Time And Place
  • Master
  • Pirate
  • *****
  • Brownie Points: +555/-33
  • Offline Offline
  • Posts: 6698
  • Captain Plankton and MOT: Eddie Current
Re: Classic Tube Amp Sound
« Reply #10 on: August 06, 2013, 04:12:14 PM »

Very interesting, thanks! The change in D2 for the HD600 doesn't look too bad. Based on what I'd heard/read about tubes, I was expecting worse! I've always wondered if a properly designed tube amp would still have a noticeable increase in harmonic distortion (again, based on what people have told me about tubes and distortion), and that does not look to be the case. (This is not a topic I know too much about, so excuse my ignorance!)


Keep in mind that the Vahalla is on the extremely low end of tube amps. I saw no significant differences between measurements from the BA or the O2 when taken at the transducer level. Yes, tube amps do have more distortion than discrete solid-state than chip solid-state. But such distortion is still a magnitude or more lower than that distortion from a transducer.
Logged

Anaxilus.

  • Dikus Beligerantis Analmorticus
  • Pirate
  • **
  • Brownie Points: +65535/-65535
  • Offline Offline
  • Posts: 577
Re: Classic Tube Amp Sound
« Reply #11 on: August 06, 2013, 04:54:42 PM »

Very interesting, thanks! The change in D2 for the HD600 doesn't look too bad. Based on what I'd heard/read about tubes, I was expecting worse! I've always wondered if a properly designed tube amp would still have a noticeable increase in harmonic distortion (again, based on what people have told me about tubes and distortion), and that does not look to be the case. (This is not a topic I know too much about, so excuse my ignorance!)


Keep in mind that the Vahalla is on the extremely low end of tube amps. I saw no significant differences between measurements from the BA or the O2 when taken at the transducer level. Yes, tube amps do have more distortion than discrete solid-state than chip solid-state. But such distortion is still a magnitude or more lower than that distortion from a transducer.


Exactly.  Before this site was even up, we ran a gamut of tests on tube amps and swapping different tubes.  You could blind test the various tube 'sounds' but when it came time to measure using the typical gamut of tests, they all measured essentially identical.  This is why the amp measurements went on the back burner, because they require a thorough reanalysis of how we objectively characterize an amplifiers performance.  We clearly need a more extensive suite of tests.  Hell, this was even true when we were able to blind test two SS amps w/ the same FR and ridiculously low distortion numbers, so it's not even just a tube thing.
____
GJ Ultrabike!  I've often thought of synergy as 'reactance' and one can clearly see why here.  There's much more going on here than taking a thin/bright phone and pairing it w/ a warm/lush amp.  That's the basic type of synergy people tend to strive for.
Logged
If you do not change direction, you may end up where you are heading - Lao Tzu

ultrabike

  • Burritous Supremus (and Mexican Ewok)
  • Master
  • Pirate
  • *****
  • Brownie Points: +4226/-2
  • Offline Offline
  • Posts: 2384
  • I consider myself "normal"
Re: Classic Tube Amp Sound
« Reply #12 on: August 06, 2013, 05:30:06 PM »

I am not familiar with Schiit Valhalla but seems like its just the output tubes running out of steam for the Low Z load that the HD598 presents.

Thanks Guru! That could be part of the reason. According to Schiit, the Valhalla is able to supply about 420 mW into 300 ohms (~HD600), but only 100 mW into 50 ohms (~HD558). The Lyr would have no such issues (either power or output impedance)...

Very interesting, thanks! The change in D2 for the HD600 doesn't look too bad. Based on what I'd heard/read about tubes, I was expecting worse! I've always wondered if a properly designed tube amp would still have a noticeable increase in harmonic distortion (again, based on what people have told me about tubes and distortion), and that does not look to be the case. (This is not a topic I know too much about, so excuse my ignorance!)

Yes, the Valhalla and the HD600 combo is actually fairly good IMO.

While the ratio is linear, the transfer function it describes is second order harmonic oscillator.
As in here, zeta (ΞΆ) is the damping coefficient:  http://en.wikipedia.org/wiki/Damping_coefficient

Transistors, diodes and vacuum tubes can be reasonably well described in V/I by two second order functions, one for positive part, the other for negative. (The correct one is actually exponential.)

I think the second order differential equation model there is linear though.

I have always noticed that the hd555/595/558 that I owned would never sound good out of integrated amps or OTLs. It maybe the impedance curve crossing over from low impedance all the way to around 250ohms

Yup, the HD558 is IMO very good, but it's not perfect. Distortion (out of the amps I have used) is not one of it's strengths... The high mid-range is also a little bit more bumpy than the likes of an HD600.

Keep in mind that the Vahalla is on the extremely low end of tube amps. I saw no significant differences between measurements from the BA or the O2 when taken at the transducer level. Yes, tube amps do have more distortion than discrete solid-state than chip solid-state. But such distortion is still a magnitude or more lower than that distortion from a transducer.

Yes. I remember that. I think the BA was paired with the HE500 which is also a low Z load (relative to the HD600).

The Valhalla may be low end, but it did a wonderful job with the HD600 . Of course there are more than likely better tube amps out there (including Schiit's line).

GJ Ultrabike!  I've often thought of synergy as 'reactance' and one can clearly see why here.  There's much more going on here than taking a thin/bright phone and pairing it w/ a warm/lush amp.  That's the basic type of synergy people tend to strive for.

Thanks Mike. Indeed, and it doesn't seem to be just damping factor and low/high Z, or individual distortion contributions that have the last word. IMO its the whole system together. Some amps and headphones pair nicely with each other... some others don't. Carefully picking the right components can yield great rigs.

EDIT:

Yeah, there's much ink spilled on the damping factor significance, but I haven't been able to find a sufficiently simple explanation for me to comprehend. Also I'm unsure if the explanations I've come across extend to directly driven single driver solutions as much as multi-driver crossover systems.

Dunno. The way I see Zload/Zsource is that if Zsource at it's maximum magnitude (vs freq) is much lower than the Zload at it's minimum magnitude then FR will be large unaffected by the impedance curves (crazy as they may be). So that in a sense may end up simplifying the design process by allowing a relatively high impedance headphone to have similar response with a variety of low impedance amps...

As far as multi-driver and single driver discussion, most of the little stuff I have read deals with linear behavior. Non-linear stuff is much harder to predict and compensate for. When dealing with it, the next best thing to just build and test is to simulate (SPICE or whatever)... and even then the non-linear models (if used) maybe off...
« Last Edit: August 06, 2013, 08:46:22 PM by ultrabike »
Logged

Solderdude

  • Grab the dScope Kowalski!
  • Able Bodied Sailor
  • Pirate
  • ***
  • Brownie Points: +206/-4
  • Offline Offline
  • Posts: 907
  • No can do skipper, the dScope was terminated
    • DIY-Audio-Heaven
Re: Classic Tube Amp Sound
« Reply #13 on: August 06, 2013, 08:28:26 PM »

Some things to take into account while we are talking about 90dB SPL tests (or very close to it)

To create an SPL of 90dB in an HD600 you will need only 0.17mW.
It is 300 Ohm thus 0.23V and 0.76mA

A very low voltage and the higher amount of D2 distortion will only become much higher at higher output voltage levels.  To get much more audible, as well as pleasant sounding, amounts of 'distortion' (read sonic signature) you will need a higher output voltage of the tube in more non-linear territories.
It's why the amount of distortion is relatively low even for this type of design at these relatively low power levels. After all 0.17mW is about 2300x less power than the specified max output power (400mW), the amp has 33dB headroom left.

to create an SPL of 90 dB in an HD558 you will need just 0.13mW.
It is 50 Ohm thus 0.08V and 2.2mA

As the amp is spec'd to 100mW into 50 Ohm the 0.13mW used in this test won't warrant the fear of current exhaustion.
0.13mW is still about 750x less than the specified 100mW, a good 29dB of headroom left. The current is only 3x higher than that in the HD600 situation.

The FR differences  are caused by the relatively high output R of the amp and occurring voltage division. The fact that the HD558 sort-of depends on electrical damping as it is intended to be fed from low output R amps will also increase THD. Damping factor could play a role in this particular case.
The fact that it is a non-feedback design with a low current tube output stage (I reckon) won't help in linear behaviour of the output stage at higher currents though but a 15dB increase in 2HD is a bit much and can't be contributed to a slightly higher current alone.

IM distortion might also give some clues.
Logged
Use your ears to enjoy music, not as an analyser.

ultrabike

  • Burritous Supremus (and Mexican Ewok)
  • Master
  • Pirate
  • *****
  • Brownie Points: +4226/-2
  • Offline Offline
  • Posts: 2384
  • I consider myself "normal"
Re: Classic Tube Amp Sound
« Reply #14 on: August 06, 2013, 08:52:54 PM »

The fact that it is a non-feedback design with a low current tube output stage (I reckon) won't help in linear behaviour of the output stage at higher currents though but a 15dB increase in 2HD is a bit much and can't be contributed to a slightly higher current alone.

IM distortion might also give some clues.


Tricky isn't it... Maybe the Valhalla is expecting a higher signal level from the Focusrite. I can turn up the Focusrite and turn down the Valhalla and see what I get...

Going form memory though, I think I had to turn up the Valhalla a little more with the HD600 to hit 90 dB... can't remember now, getting old...
« Last Edit: August 06, 2013, 09:02:46 PM by ultrabike »
Logged

Anaxilus.

  • Dikus Beligerantis Analmorticus
  • Pirate
  • **
  • Brownie Points: +65535/-65535
  • Offline Offline
  • Posts: 577
Re: Classic Tube Amp Sound
« Reply #15 on: August 06, 2013, 09:53:10 PM »

Here's what I want to know.  When some tube fans say they prefer tubes, the SS crowd takes that to mean more distortion offering a 'pleasing' sound.  Now, if we are talking overwarmed and mushy Lebens, I'll concede to that if you like that sort of thing).  However, if such tube fans as myself are referring to 'pleasing' sound as being more transparent hearing deeper into the the music w/ better clarity and resolution, how in the world does adding more distortion whether it be 2nd order or IMD possibly do that? 

I've also heard the argument that there might be a reverb effect, which some tubes/amps can do but if the reverb can be isolated to an instrument and not color the entire track, how is that not better transparency into a recording rather than being colored as opposed to say many SS amps crushing entire tracks into a flat 2D plane?

I'd really like to know how >distortion can = >apparent transparency.  If that's not the cause, then what physical property about some tubes amps is?  I have a theory but I'd like to see where the Socratic method goes on this one.
Logged
If you do not change direction, you may end up where you are heading - Lao Tzu

ultrabike

  • Burritous Supremus (and Mexican Ewok)
  • Master
  • Pirate
  • *****
  • Brownie Points: +4226/-2
  • Offline Offline
  • Posts: 2384
  • I consider myself "normal"
Re: Classic Tube Amp Sound
« Reply #16 on: August 06, 2013, 10:21:43 PM »

I'm not a professional amp designer (I think Solderdude is). But from the little I know I guess many things could be a factor...

For one, I'm not 100% convinced that a tube amplifier paired with an appropriate headphone load will yield more distortion than an SS amp. It may be that in some cases it's the opposite.

Another possibility is that many characterization approaches use tones and pseudo-random number generators which have low PAR and may not stress the amps sufficiently in the time domain. To measure impulse response, a real high power impulse will most likely clip an amp to sorryness, while using an m-sequence or a sine sweep of similar power will not. So some things may not show up with classical characterization methods.

AFAIK IMD test use two tones, how about 3 or 4 or 5 simultaneous tones? ... and where?

In the case of some systems, dithering (random noise) is added at the expense of noise floor to improve harmonic distortion issues. Maybe some tube amp designs naturally add this dithering... Dunno.

Some Class-D amps use non-linear devices as well which can manifest flows when driven by particular signal patterns... I guess many things could go wrong.

To the best of my knowledge, the proliferation of SS over tube amp in most applications comes from SWAP requirements (and $), but not necessarily performance. Perhaps same could be said about Class-A vs Class-D. In any case, I feel it is always possible to have a relatively great amp, and an-example-of-what-not- to-do amp regardless of Class, tube or not.

« Last Edit: August 07, 2013, 02:35:49 AM by ultrabike »
Logged

firev1

  • Cynophobic Puss
  • Able Bodied Sailor
  • Pirate
  • ***
  • Brownie Points: +52/-0
  • Online Online
  • Posts: 490
Re: Classic Tube Amp Sound
« Reply #17 on: August 07, 2013, 02:21:02 AM »

Tubes has less higher order distortions and do not generate as much complex(spikes as opposed to smooth curves) distortions as SS ones do? Theres a Pass article on this that is on 6moons as well, also related on NFB which objectivist love so much.
Logged
Time spent on enjoyment is not time wasted. - someone

OJneg

  • Audio Ayatollah / Wow and Fluster
  • Mate
  • Pirate
  • ****
  • Brownie Points: +120/-3
  • Offline Offline
  • Posts: 1245
Re: Classic Tube Amp Sound
« Reply #18 on: August 07, 2013, 03:08:08 AM »

The FR differences  are caused by the relatively high output R of the amp and occurring voltage division. The fact that the HD558 sort-of depends on electrical damping as it is intended to be fed from low output R amps will also increase THD. Damping factor could play a role in this particular case.
The fact that it is a non-feedback design with a low current tube output stage (I reckon) won't help in linear behaviour of the output stage at higher currents though but a 15dB increase in 2HD is a bit much and can't be contributed to a slightly higher current alone.

IM distortion might also give some clues.

I'd also like to add that the output impedance is probably not constant over the audio band. If the Valhalla is like most other OTL valve amps out there, it probably uses a coupling capacitor in the output stage. I'd wager the output impedance might actually be higher (relatively) in the bass region.

I'm no cap guru, but I think the performance quirks might be a result of that coupling cap. Someone else might be able to chime in on how much that coupling cap might effect performance. Obviously you would get a cut-off point that sets your bandwidth, but you might also get phase shift in the audio band (even if it's cut-off out of the audio band) or maybe more THD. Again, I'm no expert on audio caps.
Logged

Anaxilus.

  • Dikus Beligerantis Analmorticus
  • Pirate
  • **
  • Brownie Points: +65535/-65535
  • Offline Offline
  • Posts: 577
Re: Classic Tube Amp Sound
« Reply #19 on: August 07, 2013, 04:16:44 AM »

Tubes has less higher order distortions and do not generate as much complex(spikes as opposed to smooth curves) distortions as SS ones do? Theres a Pass article on this that is on 6moons as well, also related on NFB which objectivist love so much.


Do you think clipping is really that common to be a factor?  I understand the tube soft clipping versus SS hard clipping but how prevalent should it be in normal listening to actually affect the overall sonic picture?  I'd also understand soft clipping for the pleasing benefit which any tube would be capable, but not all tube amps have great transparency so there's still something else.  Agreed on NFB, another audiophool complaint no doubt.


Oneg is definitely onto the coupling cap.  This is certainly a measurable effect on FR that we have found playing around w/ different values in the S7.  On the subject, I think being able to isolate the character of caps w/ the same values could help to point in the right direction as well.
Logged
If you do not change direction, you may end up where you are heading - Lao Tzu
Pages: 1 [2] 3 4 5 6