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Author Topic: Metrum Acoustics Quad Measurements (NOS Mini DAC)  (Read 12361 times)

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ultrabike

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My PS2 is too old and I think it only supports 44.1 and 48 kHz sampling rate. Even my ol' XBOX 360 may only go up to 48 kHz due to Windows evil voodoo inside. Seems only few entry level audio cards support 96 kHz out through optical (like Creative X-Fi).

I'll stick with 44.1 and 48 kHz for now, but it makes sense that proper up-sampling might make things better by pushing ultrasonic stuff out, and by possibly reducing the treble roll-off.
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ultrabike

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Did some more listening. There is roll off at the upper tremble, but many cans (and speakers) proly do much worse.

Here is a quick spectral snapshot of a song I was hearing (had issues w Audacity/Windoze doing a decent job generating 20 kHz band-limited white noise waveform):



There seems to be some ultrasonic stuff, but things did not sound awful IMO though.
« Last Edit: February 01, 2014, 09:23:44 AM by ultrabike »
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Hands

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Right, and the roll-off becomes less severe the higher the sampling rate you use. I'm assuming you're still limited to the setup(s) you mentioned earlier. Or, if you're like me, the roll-off can be desirable at times.

That's an interesting test you did there! I might see if I can do something similar in the future.
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ultrabike

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Yes, I think the Creative X-FI is a sweet piece of equipment for these kinds of tests given the optical out (mic in, hp out, and nice 5.1 pre outs for $50 current street price!). It would be nice to see the same tests with white noise. I tried by creating a CD with some Audacity generated 20 kHz BW white noise files, playing them back through my Xbox 360 (my old PS2 didn't seem to recognize CD-Rs) optical out, and running ARTA and/or REW spectrum analyzer at 96 kHz sampling rate.

However, while I got somewhat decent frequency response plots, I was getting unexpected results around the 20 kHz area w the Audacity generated noise files (wouldn't be the first time Audacity under Windows gave me some weird results). I'll see if I can get better white noise files.
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ultrabike

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Here is the spectrum of a band-limited white noise signal (brickwalled maybe around 16 kHz) when using the following signal path:

WDTV-Plus (optical pass through) > Metrum (44.1 kHz) > 2i2 (96 kHz)
Finally got sick and tired of making CDs, dealing with my PS2 CD-R impotence, and other issues w my senile Xbox 360...



I think a NOS DAC (zeroth order S/H) should generate a mirror image (brickwall and all) starting at 22.05 kHz and centered at around 44.1 kHz. This might explain the sharp gap between 16 to 28 kHz (the gap gets mirrored from 16 to 22.05 kHz into 22.05 to 28 kHz).

Moreover, the S/H operation should also modulate a sinc function into the FR, with nulls occurring every integer multiple of the 44.1 kHz sampling rate. This explains the null at around 44.1 kHz.

The images and nulls will continue to repeat at every integer multiple of 44.1 kHz, but more attenuated by the sinc function shape (a result of the S/H operation).

Here is another white noise signal spectrum using the same set up, but this time the noise does not seem that brickwalled but proly alias a little bit (notice the discontinuity around 20 kHz). This I think shows the sinc deal better.



While sinc function related losses around 20 kHz and 15 kHz are proly about 3 and 1.6 dB respectively, I liked the laid back nature of the DAC. This is a worst case 44.1 kHz mode situation, at 96 kHz (thu SW upsampling or so) the losses might be closer to  0.6 and 0.3 dB (20 and 15 kHz). These theory numbers seem to correlate well w another similar NOS DAC discussed here. The effects of the ultrasonic stuff probably depends on the amp, but I also did not seem to have problems with that.
« Last Edit: February 04, 2014, 07:49:08 AM by ultrabike »
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Hands

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Very interesting. Thanks! I've had a lot of fun experimenting with these NOS DACs and leaning about them. I too haven't noticed any ill effects from the ultrasonic stuff, but I'm also not sure what to listen for, nor do I understand electronic design well enough to know whether or not a specific amp or anything else in the chain would/would not handle it well.
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OJneg

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Here's what a pure 10k sine wave looks like from the Quad, vs the gamma2 (a delta-sigma WM8741 D/A chip)





Interesting to note the stair-steps. Even with a 1k sine wave they were visible on my 'scope, although I can't seem to find those pics that I took.

For reference, signal path was:

Asus Laptop -> gamma1 USB-SPDIF -> Quad -> HP Scope
Asus Laptop -> gamma1 USB-I2S -> gamma2 -> HP Scope

It was also interesting to see how the response in the transition band changed with the gamma2's different filters vs. the Quad.
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Solderdude

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unfiltered NOS DAC's are GREAT for reproducing squarewaves and needle pulses but suck at sinewaves.
This is why sellers only show needle impulse and squarewave responses on their website showing how good that DAC works compared to all other (flawed) concepts.

Unfortunately... there are no squarewaves and needle pulses in audio just sinewaves.
The 'attack' in music signals is NEVER as fast in the original signal (looked at many 'attacks' on bit levels) because a: it passed through an anti-aliasing filter before encoding and b: those 'attacks' are high frequencies and they are very low in level so never near 0 or -10dB and thus incredible risetimes are not needed (as the dV in dV/dt becomes smaller)

The fact that most people still find heavily distorted sinewaves 'pleasant sounding' is because our ears cannot resolve those steps (nor can many transducers) and says more about hearing abilities than technical differences IMHO.

It would be interesting to see what a headphone makes of this signal... it sure isn't going to look even close to the electrical signals.
Even more interesting would be to see the differences between the 2 signals when reproduced by the same headphone and measured with a rig that can measure in the 100kHz region.
« Last Edit: September 30, 2014, 09:28:51 PM by Solderdude »
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Use your ears to enjoy music, not as an analyser.

Hands

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Cool, thanks, OJ!

Solderdude, it would indeed be interesting to see what the signal looks like coming through headphones or speakers. As for the lack of filter ringing on NOS, or when considering filters with just a bit of post-ringing, my upsampling tests with the Hex and comparisons against other DACs make me think this might actually have audible differences. Much more subtle than the many other benefits you gain from upsampling/oversampling, but there were still certain selections where I thought transients were slightly smeared on OS DACs or when using upsampling filters with pre and post-ringing on the Hex. It is very hard to describe...

Of course, YMMV, and it's definitely a possibility I was not actually hearing what I thought I was hearing. If I was, though, it's a trade off. You can definitely hear the rolled-off treble and other "unique" characteristics of NOS DACs, but I don't mind due to easily getting fatigued while listening.

I would be very curious to see what your subjective impressions would be in these situations as well.
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ultrabike

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AFAIK a S/H operation from a DAC results in stair-step behavior. This in turn may result in ultrasonic images, and a sinc window (sin(x)/x) applied to the DAC output signal in the frequency domain. The windowing operation may roll-off the audible high frequencies as a function of the (up or over)sampling rate.
« Last Edit: April 04, 2014, 08:18:52 AM by ultrabike »
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